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Cleveland Wall Art Collage - The LAND of Hope and Dreams (4-Panel Aluminum)
Experience the panels interact with light like living architecture. Daylight pulls out one spectrum of hues; color-changing LEDs awaken another. Subtle details emerge and vanish as the environment shifts, making the work feel alive. Each time you return, you discover something new.
Each panel stands as its own artwork, but together they form an 80x40 installation that commands space and invites conversation.
Each panel can be purchased individually, though the full experience is only possible when the whole is maintained.
Additional Details
Total Size: 80" wide x 40" tall (as shown)
Panel Sizes: Two outer panels: 30"x40" | Two inner panels: 20"x20"
Material: Chromaluxe aluminum with matte finish
Print Process: Dye-sublimation for archival quality, depth, and light-reactive color
Mounting: Built-in float mounts create a clean, modern look
Lighting Interaction: Matte surface reduces glare and shifts tone with daylight or LEDs
Creation: Original photography digitally deconstructed and composited with layered color
Landmark List: Full list provided with purchase (upon request)
Artistic Process
This piece took shape over two years, beginning with hundreds of photographs across Cleveland—Terminal Tower, the Guardians of Traffic, bridges, the Free Stamp, and more. Each landmark was isolated, studied, and digitally rebuilt. I created individual artworks for each subject before dismantling them again, pulling fragments into a single, evolving composition.
The challenge was to merge dozens of architectural voices into one visual language. Every color decision was hand-tuned, not for shock value, but to control how the piece feels in different environments. Under daylight, certain structures surface boldly; under color-changing LEDs, hidden layers appear, revealing rhythms you didn’t see before. The work never collapses into chaos, though it flirts with it. Instead, it resolves into a pattern that rewards slow looking—a map of Cleveland reimagined as something living and dynamic.
Nothing about this process was automated. It required building and breaking the image repeatedly until the composition carried both tension and order. The result is a four-panel installation that feels as much engineered as it does imagined—a design of precision and instinct, built to shift and breathe with light.
